I read the Pocket Books (Simon and Schuster) paperback version.
Right off the bat we get poignant social commentary and we meet New Orleans homicide detective Lieutenant Dave Robicheaux who may just be the target of a hitman… seems he’s investigating the suspicious drowning of a prostitute in a parish in south Louisiana that ties back to the New Orleans mob. But its deeper than just the mob… soon South American gun runners are setting him up to take a fall for a federal agent’s death. Then, suspended from the force he continues his own investigation following it wherever it leads stepping over bodies as he goes.
From a Calloused parish sheriff and a pair of his corrupt deputies, to biased and apathetic Internal Affairs investigators, the mantle of Noir fiction rest well on this first Robicheaux novel. His life, from serving in Viet Nam to facing down crime in the underworld of New Orleans while battling the bottle and other demons from his past make for a character that is surprisingly introspective and takes the time to see the beauty around him. Burke takes the time to paint a visually lush and fertile environment throughout the novel. It’s a treat for the senses and an immersive experience.
This is the third novel of Burke’s that I’ve read…. I suppose its about time that I got to read the book that started the whole series. This came out in 1987; over ten years from the first Spenser novel and five years before the first Bosch story… which is now on my list to read. There’s something about the narration of the Robicheaux stories that jumps to life… I just wish that they came out with scratch and sniff pages!
She sat beside me, wiped ointment on my cuts with a piece of cotton, snipped adhesive tape into strips with the scissors, and taped down two big, folded squares of gauze on top of the ointment. Then she rubbed her hands over my skin, down my shoulders and back, across my chest, her eyes looking over my body without embarrassment, as though she were discovering me for the first time. I leaned her back on the bed and kissed her mouth, her neck, unbuttoned her flower-print blouse and placed my head against the red birthmark on her breast. I felt her body stretch out against mine, felt the confidence, the surrender that a woman gives in that moment when she no longer hides her hunger and instead blesses you with a caress that is always unexpected and heart-rushing and humbling in its generosity.
This time I wanted to give her more than she gave me, but I wasn’t able. In seconds I was lost inside her, her hands right against my back, her legs in mine in almost a material way, and when I tried to tense and stop because it was too soon, she held my face close to hers, kissed my cheek, ran her fingers through the back of my hair, saying, “It’s alright Dave. Go ahead. It’s alright.” Then I felt all the anger, the fear, and the heat of the last two days rise inside me like a dark bubble from a well, pause in its own gathered energy and momentum, and burst away into light, into the joy of her thighs, the squeeze of her arms, the blue tenderness of her eyes.